Virtual production · Netflix Italia & Vanity Fair

A cinematic ballroom environment created for promotional content for Netflix Italia’s The Leopard, including a virtual production short and a Vanity Fair photoshoot.

My role: Real-time artist — look development, lighting and techviz
My contribution: Created digital replicas of physical props, explored ballroom lighting, refined shot compositions, and developed techviz to support creative and on-set decisions.

Project Involvement.

My involvement in the project consisted of multiple areas of the virtual production pipeline, including but not limited to
  • Creation of highly detailed digital replicas of physical set props;
  • Initial look development and lighting studies of the infinity ball room;

  • Final composition per shot;

  • Extensive technical visualisation (techviz) to support both creative and on-set decision-making working with storyboards, directors and supervisors;
Working closely with the wider team, I contributed to translating the visual ambition of the campaign into a cohesive real-time environment optimised for the LED volume. The role also involved regular client-facing collaboration and presentation sessions with representatives from Netflix and Vanity Fair, ensuring creative alignment and technical feasibility throughout the production process.

Behind the Scenes.